Frank's memoirs
My parents were both musical:
that is, they both sang in groups at Church, usually choir or small
group items at some part of the service. Dad sang tenor and Mum usually
soprano, though she could take another part if necessary.
Both of them could
make out a tune on the piano if they wanted to learn a new piece of music. They
both wanted their children to learn music, and when I was 7 they started me
with a piano teacher, Josie Goodsir, in Sandringham .
I would trot down to her house, often accompanied by the dog, Joe, for my
half-hour lesson once a week.
She started me on the
Royal Schools examinations, and had pupil concerts regularly.
When we moved to
Papatoetoe there was a music teacher conveniently just across our street: Miss
Campbell, an ancient Scottish lady, fearsome and stern. We all learned from her
for the next few years.
I can remember
insisting that I wanted to learn “There’ll Always Be An England”, which was
very popular at that stage of the War, and Miss Campbell reluctantly taught me,
although I guess she thought it was well beyond my capabilities at that age.
I continued to pass
grade examinations until I had reached Grade VIII; at High School age I left
off the piano lessons, and when we shifted to Mt Eden I started learning the pipe
organ from the organist at St Barnabas’ Church in Mt Eden Road, Bill Edgar.
Sometimes I would practise at the Presbyterian Church in Union Street , which was near enough to
the University for me. This church and its organ were removed when the motorway
system was built.
In 1952 I joined the
University Music Club choir, which practised and gave a performance of Bach’s Mass in B Minor. I also tried out for
the National Symphony Orchestra’s subsidised training programme for Double
Bass, but soon flagged that away; carrying a double bass around was a drag!
Once I left home to
start work in Hamilton ,
I no longer played regularly, except that the High School needed someone to
play the piano at Morning Assembly while the school sang a hymn.
In India music became
a neglected area. Once I was settled in the Bay of Islands in the seventies I
bought an old piano and would play that from time to time.
In New Plymouth, when
we started attending St Andrew’s Church, I renewed my interest in the
pipe-organ and proceded to teach myself. I practised a few times on the St
Andrew’s organ and a couple of times at St Mary’s and was then invited to play
for a lunchtime service at St Andrew’s once a week.
I also officiated on
the organ at a couple of weddings, and when the Church celebrated its 125th
anniversary I wrote several songs, with the music written by Ron Smith, and
even a choir anthem. After Ron died suddenly, I collaborated with Lionel Hall, who
had written several hymn tunes; I wrote new words for some of his tunes. Several of these compositions were included
in a special hymn-book for St Andrew’s.
For the last year or
two I would assist the organ-tuner when he came. This I found a fascinating procedure; I
learned a lot about the way organs are put together, and about music in general
from the experts at South Island Organ Company. Unfortunately three of their
staff were lost in the Christchurch earthquake,
when the Durham St
Methodist Church
collapsed.
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